Young Lady Frame:gold Cleaning also permitted a clearer

Cleaning also permitted a clearer appreciation of Rembrandt's confident sweeps of the brush and thickly applied 'impasto' paint (see

This picture was probably painted when Both was in Rome

This picture has just returned from conservation as part of a major project funded by the Getty Foundation

More than three hundred and fifty years after she was painted - Rembrandt's ability to conjure up the sense of a living being out of paint can still astound

something not usually tolerated in English seventeenth-century high society

Young Lady Frame:gold Cleaning also permitted a clearerCatalogued since 1880 as Italian School. Richter suggested an attribution to the School of Sustermans.